This course looks at history of post-1949 China from two different perspectives. Students will read "proper" historical texts: political and intellectual essays, government documents, social reports, and scholarly historical monographs. These will be juxtaposed to different forms of narrative construction: movies, novels, and autobiographical accounts. With this integrated approach, the course examines the history of the People's Republic of China but also the continuous interplay between historiography and politics, history and memory, popular culture and learning.

Is Buddhism a tradition of healing? In what ways has Buddhism been involved in reviving, sustaining, and curing human individuals? This course explores relationships and encounters between Buddhism and the domains of religion, science, and medicine. It considers historical relationships between Buddhism and traditional medicine in Asia as well as contemporary Western discourses involving Buddhism in popular culture, psychology, and spirituality. Finally, it invites a critical approach to the current dialogue between Buddhism and science. In the process, it reveals hidden assumptions behind commodifying `mindfulness' and the quest to document the therapeutic impact of meditation upon health, happiness, and success in the modern age. Students will have the opportunity to apply the ideas they have learned through analysis of relevant initiatives at the U of A such as the Neuropsychology, Emotion, and Thought Lab and the Center for Compassion Studies as well as of broader Tucson community events like the Gem Show.

How do Tibetans Buddhists innovate while staying connected with tradition? In the Tibetan language, biographies are referred to as liberation tales. In this course, students explore the life experiences of Tibetan Buddhists striving for a variety of forms of liberation, from samsara as well as from social marginalization and political oppression. Students disassemble stereotypes about Tibet by exploring fundamental aspects of its distinct Buddhist tradition. They analyze the stories of figures as diverse as an eighth-century demon-tamer and his enlightened female partner, a contemporary artist exploring questions of identity, a Buddhist yogi seeking to move beyond the confines of the self, and a debut novelist reflecting on writing as a form of agency. Students apply their knowledge to interpret representations of Tibet in sources ranging from early texts on the nature of reality to an Instagram takeover by contemporary Tibetan female poets. In the process, they generate tools for interpreting the host of representations they encounter in their daily lives.

This course will examine how the three genres of Zen Buddhism, the tea ceremony/tea culture, and poetry, have been presented over time as not only compatible, but as representative expressions of each other. We will consider the contemporaneous cultural, historical, and political factors that contributed to the formation of this discourse. We will also hold up to critical scrutiny the very concept of "genre" in pre-modern East Asia, as well as the distinction between "Zen Buddhism" and what may be termed "Zen culture." We will also investigate in depth how modern commentators such as Okakura Tenshin, Suzuki Daisetsu, and Hisamatsu Shin'ichi's dialogue with the West and Western models informed the now ingrained idea that the tea ceremony represents an artistic, aesthetic, and spiritual nexus of the other two genres, and indeed of East Asian Culture as a whole.

Major forms of Buddhist meditation from both the South Asian and East Asian traditions, with emphasis on the nature of meditation as a variety of religious experience.

This course will explore diverse Buddhist communities in North America, including local expressions of Buddhism. Students will learn about Buddhist perspectives and practices and how these have been transmitted from Asia to the Americas over the past two centuries, with an emphasis on contemporary forms of North American Buddhism.

Qualified students working on an individual basis with professors who have agreed to supervise such work.

Qualified students working on an individual basis with professors who have agreed to supervise such work.

The exchange of scholarly information and/or secondary research, usually in a small group setting. Instruction often includes lectures by several different persons. Research projects may or may not be required of course registrants. Topics vary according to instructor, but include aspects of the histories, literatures, languages, religions and cultures of East Asia.

The practical application, on an individual basis, of previously studied theory and the collection of data for future theoretical interpretation.