scottgregory

Image
scottgregory@arizona.edu
Phone
(520) 621-1349
Office
Learning Services Building 124
Office Hours
Spring 2023: On Sabbatical
Gregory, Scott W
Associate Professor

Scott Gregory is a scholar of Chinese literature, with special interest in late imperial vernacular fiction and its intersection with the culture of print. His book Bandits in Print (Cornell University Press) concerns different print manifestations of the sixteenth-century work The Water Margin (Shuihu zhuan) and the reading practices surrounding them. He has also published on how novels of the Ming Dynasty conceived of their own historical era. He obtained his PhD from Princeton University in 2012. Before coming to Arizona, he spent two years as a visiting fellow at the National University of Singapore. He has also lived in Taipei and Kyoto.

Dr. Gregory is also co-director of the Center for East Asian Studies along with Dr. Wenhao Diao.

Currently Teaching

CHN 345 – Buddhists, Bandits, and Beauties: Masterworks of Chinese Fiction from the 1500s to the Digital Age

For centuries, Chinese people have thrilled to the adventures of characters such as the Monkey King, Lord Guan, and Wu Song the tiger killer. All of these stories are found in classic novels printed in sixteenth century. The exciting plots and plain-speech storyteller style of these novels have made them accessible in the original to readers even today. Increasingly, however, such stories have found fame throughout Asia and the world through popular culture and new media adaptations. In this course, we will examine both the originals (in translation) and the modern adaptations. We will explore the historical setting of the sixteenth- century Ming dynasty in which the novels were first created, as well as recent films and other cultural creations based on them. The aim will be to uncover the cultural dynamics that allow for such creativity and fluidity.

Topics may include Chinese religions, print and popular culture, literary and cross-cultural adaptation, film, graphic novels/manga, video games, and taboos against sex and violence. Readings will be primarily in English; supplementary/alternative readings, including portions of the original texts as well as secondary scholarship, will be made available for readers of Asian languages upon request.

For centuries, Chinese people have thrilled to the adventures of characters such as the Monkey King, Lord Guan, and Wu Song the tiger killer. All of these stories are found in classic novels printed in sixteenth century. The exciting plots and plain-speech storyteller style of these novels have made them accessible in the original to readers even today. Increasingly, however, such stories have found fame throughout Asia and the world through popular culture and new media adaptations. In this course, we will examine both the originals (in translation) and the modern adaptations. We will explore the historical setting of the sixteenth- century Ming dynasty in which the novels were first created, as well as recent films and other cultural creations based on them. The aim will be to uncover the cultural dynamics that allow for such creativity and fluidity.

Topics may include Chinese religions, print and popular culture, literary and cross-cultural adaptation, film, graphic novels/manga, video games, and taboos against sex and violence. Readings will be primarily in English; supplementary/alternative readings, including portions of the original texts as well as secondary scholarship, will be made available for readers of Asian languages upon request.

CHN 391 – Preceptorship

Specialized work on an individual basis, consisting of instruction and practice in actual service in a department, program, or discipline. Requires faculty member approval, preceptor application on file with department.

CHN 449 – Foundations of the Chinese Literary Tradition: Song to Qing

This course is an introduction to the the major themes and genres of Chinese literature from the Song (960-1279) to the Qing (1644-1911) dynasties. Primary readings will be in Chinese, though translations will be available.
Secondary readings will be in English. The course is intended to be an opportunity for advanced language learners to use their skills to read and translate premodern literature, and for graduate students to gain an understanding of major trends in the study of premodern Chinese literature.

CHN 549 – Foundations of the Chinese Literary Tradition: Song to Qing

This course is an introduction to the the major themes and genres of Chinese literature from the Song (960-1279) to the Qing (1644-1911) dynasties. Primary readings will be in Chinese, though translations will be available.
Secondary readings will be in English. The course is intended to be an opportunity for advanced language learners to use their skills to read and translate premodern literature, and for graduate students to gain an understanding of major trends in the study of premodern Chinese literature.

CHN 422 – Introduction to Classical Chinese

Introduction to pre-20th-century Chinese styles through readings in classical Chinese literature.

CHN 522 – Introduction to Classical Chinese

Introduction to pre-20th-century Chinese styles through readings in classical Chinese literature. Graduate-level requirements include additional assignments relating to translation skill and research methodology.

EAS 160A3 – Chinese Civilization

This course offers an introduction to the Chinese civilization from the earliest times to the end of the 18thcentury. It will cover major historical eras and events, as well as the traditions of thought and practices running through them. Literary and artistic genres will be introduced as means to better understand larger social trends. Students will practice close reading and analysis of historical documents, literary compositions, and cultural artifacts. Through these hands-on engagements, they will get to know the diverse voices and perspectives within the Chinese tradition and explore their contemporary relevance. Absolutely no previous experience with the study of China is necessary. At the same time, we hope to bring new perspectives to those who already have some familiarity with Chinese history and culture.

EAS 498H – Honors Thesis

An honors thesis is required of all the students graduating with honors. Students ordinarily sign up for this course as a two-semester sequence. The first semester the student performs research under the supervision of a faculty member; the second semester the student writes an honors thesis.