Dachille, Rae Erin | Department of East Asian Studies

raedachille@arizona.edu

Office

Learning Services Building 222

Dachille, Rae Erin

Associate Professor

Dr. Rae Erin Dachille (Ph.D. in Buddhist Studies, University of California at Berkeley) specializes in the religious and artistic traditions of Himalayan Buddhism. Her research focuses upon representations of the body in art, ritual, philosophy, and medicine in Tibetan and Sanskrit sources. Dr. Dachille’s book project, entitled The Body Mandala Debate: Knowing the Body through a Network of Fifteenth-Century Tibetan Buddhist Text, explores the variety of attitudes toward the body reflected in a heated scholastic exchange between two prominent Tibetan monks. The book examines the complex and sometimes paradoxical understandings of the body’s strengths and vulnerabilities specific to the fifteenth-century Tibetan context. It also demonstrates the value of evaluating these ‘esoteric’ sources in relationship to broader humanistic conversations on the body.

Dr. Dachille’s work reflects her enduring interest in revealing the many ways in which Tibetan Buddhist sources may enrich our approach to studying the body as an object of knowledge as well as to formulating new theories of representation. She teaches courses in Tibetan Buddhism, South Asian religion, theories and methods for the study of religion, and religion in the medical humanities.

Dr. Dachille is the Burns Faculty Fellow for 2016-2017.

Areas of Specialization: Indo-Tibetan Buddhism, South Asian Religions

Currently Teaching

EAS 358 – Tibetan Buddhism: Liberation, Identity, and Representation

How do Tibetans Buddhists innovate while staying connected with tradition? In the Tibetan language, biographies are referred to as liberation tales. In this course, students explore the life experiences of Tibetan Buddhists striving for a variety of forms of liberation, from samsara as well as from social marginalization and political oppression. Students disassemble stereotypes about Tibet by exploring fundamental aspects of its distinct Buddhist tradition. They analyze the stories of figures as diverse as an eighth-century demon-tamer and his enlightened female partner, a contemporary artist exploring questions of identity, a Buddhist yogi seeking to move beyond the confines of the self, and a debut novelist reflecting on writing as a form of agency. Students apply their knowledge to interpret representations of Tibet in sources ranging from early texts on the nature of reality to an Instagram takeover by contemporary Tibetan female poets. In the process, they generate tools for interpreting the host of representations they encounter in their daily lives.

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EAS 240 – Imagining the Buddha: Images of Buddhism in Asia and the West

What does it mean to imagine the Buddha? This course guides students in narrating the lives of Buddhist images by tracing their creation and movement in Asia as well as in cultural encounters within Europe and the U.S. Today art critics continue to discuss "Buddhist" elements in the work of iconic artists like Georgia O'Keefe and Mark Rothko, Tibetan mandala coloring books are being used for stress relief, and "Zen" aesthetics inform a broad range of fashion and design platforms. This course provides tools for critically reexamining the categories of "East" and "West" within this cultural moment. Through creative processes such as drawing, writing, and conversation, students interact with diverse imagery such as Chinese painted caves, Himalayan esoteric portraits of enlightened reality, and Japanese temple complexes. They interpret Buddhist texts describing the construction of buddha bodies in art, ritual, and in the mind. Students also engage with the work of contemporary performance artists inspired by Buddhist ideals of discipline and impermanence. Reflecting upon these experiences, students uncover how the categories of "East' and "West" have obscured the understanding of Buddhist art, artists, and communities. They document the ways in which power dynamics of colonialism and Orientalism have been integral to making these categories. In response to their findings, students work together to generate a virtual exhibition reimagining images of Buddhism and telling their stories.

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EAS 359 – Buddhism and Healing

Is Buddhism a tradition of healing? In what ways has Buddhism been involved in reviving, sustaining, and curing human individuals? This course explores relationships and encounters between Buddhism and the domains of religion, science, and medicine. It considers historical relationships between Buddhism and traditional medicine in Asia as well as contemporary Western discourses involving Buddhism in popular culture, psychology, and spirituality. Finally, it invites a critical approach to the current dialogue between Buddhism and science. In the process, it reveals hidden assumptions behind commodifying `mindfulness' and the quest to document the therapeutic impact of meditation upon health, happiness, and success in the modern age. Students will have the opportunity to apply the ideas they have learned through analysis of relevant initiatives at the U of A such as the Neuropsychology, Emotion, and Thought Lab and the Center for Compassion Studies as well as of broader Tucson community events like the Gem Show.

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