kaoruhayashi

Image
kaoruhayashi@arizona.edu
Office
Learning Services Building 110
Hayashi, Kaoru
Assistant Professor

Kaoru Hayashi is a scholar of premodern Japanese literature, specializing in classical tales. Her areas of research interest also include premodern Japanese history and religious studies, area studies, and modern film and mass media. Her book project, “Mediating Spirits: Narratives of Vengeful Spirits and Genealogies in Premodern Japanese Literature,” explores the invocation of the angry dead both as a social practice of genealogical imagination repeatedly thematized within premodern Japanese literary texts and as an act whose structure generated a narrative voice integral to the development of classical Japanese narratives. Hayashi received her M.A. and Ph.D. in East Asian Studies from Princeton University and B.A. in East Asian Languages and Literatures from Smith College. Before joining the University of Arizona, she was an Assistant Professor at Texas State University, and spent one year as a postdoctoral fellow at the Reischauer Institute of Japanese Studies at Harvard University.

Currently Teaching

JPN 311 – Death in Traditional Japanese Literature

Everyone dies. Because death and the afterlife are unknowable, people have attempted to imagine, visualize, and write about what comes after life in order to understand or overcome fear of the unknowable and inescapable. Since the beginning of recorded time, therefore, death has found its way into religion, art, and literary expression to demystify its meaning. This course surveys the literary discourse of death and dying in Japanese literature from the 8th to the 19th centuries. It is both a chronological introduction to the literary tradition and an exploration of the concept of death in premodern Japan. Our readings include mythologies, narratives, Buddhist didactic tales, poetry, diaries, and other theatrical works, all in English translation. We will learn and practice the skills of close reading, interpretation, and literary analysis through class discussions and critical writing about representations of death. We will study important works concerned with the rhetoric and topos of death within their historical, political, religious, social, and cultural contexts, aiming to establish connections across time and between writers and readers. The most important, yet paradoxical, lesson of this course is that focusing on death leads to reconsidering and celebrating the value of life.

JPN 447 – Incorporeal and Ambiguous Bodies: Monstrous and Ghostly Tales in Premodern Japanese Literature

This discussion-centered, research seminar examines strange and ambiguous bodies prominently featured in premodern Japanese literature. Reading literary works in translation from the 8th to the 19th century, we will engage with a variety of rich depictions of ambiguous and mysterious bodies, including mythical creatures, vengeful spirits, shape-shifting foxes, strange apparitions, and incorporeal or invisible figures. Our topics of investigation include how ambiguous bodies challenge and reinforce social boundaries; the significance of gender dynamics in premodern sexuality; how the trauma of war is inscribed onto bodies; political authority over corporeal and incorporeal bodies; and the transformation of sacred spirits into the everyday grotesque. We will read a wide range of primary materials in translation, including mythologies, official historical records, literary tales, Buddhist didactic stories, women's diaries, and war-tales. We will also engage with scholarship on the cultural history of the body, religious beliefs, and theories of the monstrous, in addition to various theoretical frameworks related to post-colonial thought and gender studies.

JPN 547 – Incorporeal and Ambiguous Bodies: Monstrous and Ghostly Tales in Premodern Japanese Literature

This discussion-centered, research seminar examines strange and ambiguous bodies prominently featured in premodern Japanese literature. Reading literary works in translation from the 8th to the 19th century, we will engage with a variety of rich depictions of ambiguous and mysterious bodies, including mythical creatures, vengeful spirits, shape-shifting foxes, strange apparitions, and incorporeal or invisible figures. Our topics of investigation include how ambiguous bodies challenge and reinforce social boundaries; the significance of gender dynamics in premodern sexuality; how the trauma of war is inscribed onto bodies; political authority over corporeal and incorporeal bodies; and the transformation of sacred spirits into the everyday grotesque. We will read a wide range of primary materials in translation, including mythologies, official historical records, literary tales, Buddhist didactic stories, women's diaries, and war-tales. We will also engage with scholarship on the cultural history of the body, religious beliefs, and theories of the monstrous, in addition to various theoretical frameworks related to post-colonial thought and gender studies.